The Flag Seamstress

“She is important to our understanding of American history not because she made any one flag, however iconic that moment may have become, but because she was a young craftswoman who embraced the resistance movement with vigor, celebrated its triumphs and suffered its consequences” (361).

The Book

Betsy Ross is unique in the pantheon of American Revolution figures: a woman, non-political, non-military, and an artisan. Did she really sew the first American flag and was it her suggestion to make the stars five points, instead of six points? If the answer is yes, Ross happened to be in the right place, at the right time, and knew the right people. Her skills as an upholsterer and family connections opened up the door. In Betsy Ross and the Making of America author Marla R. Miller explores the world of Ross and how it intertwined with the development of the United States.

Elizabeth Griscom, later Betsy Ross, was born January 1, 1752 by Newton Creek in New Jersey to Quaker parents. The family was well-off due to her father’s work as a builder in Philadelphia, where an influx of immigrants created a housing demand. In the mid-1760s, Ross went to work in an upholstery shop becoming skilled at needlework. Her first husband, John Ross, apprenticed at the same shop and worked alongside Ross. They married in 1773, after John opened his own upholstery shop, where they both worked. During the same year, the boycott of goods from England (in response to the Tea Act) directly impacted their shop. In January 1776, John died and Ross sold the goods in the shop. When the American colonies declared independence in July 1776, military flags were needed. There is no historical proof that Ross contributed to the design of the first US flag, made it, or even met with George Washington about it. However, there is evidence that Ross sewed ships colors for the Pennsylvania Navy Board during the American Revolution.

She married Joseph Ashburn in 1777, who sailed on American ships tasked with disrupting British shipping. He was captured and died while imprisoned in England. In 1783, she married John Claypoole and they opened an upholstery shop that also sold furniture and wallpaper. For the next four decades, Ross worked alongside her daughters, nieces, and granddaughters. This included sewing 46 garrison flags for the US Arsenal on the Schuylkill River. In 1827, with her eyesight failing, Ross retired; and, on January 30, 1836 she died. Miller pinpoints the start of the Betsy Ross legend with an 1857 conversation Ross’s daughter, Clarissa Claypoole, had with her nephew, William Canby. In 1870, Canby shared the story during a lecture at the Historical Society of Philadelphia. From there, the legend took on a life of its own.

Overall, I enjoyed reading Betsy Ross and the Making of America. Miller is a good writer who often provides small asides that provide a richer understanding of the time period. Readers do not only learn about Ross; they learn about her family and the world she lived in. Unfortunately, some of those asides take up the bulk of chapters, detracting from Ross’s story. Miller makes it clear that there is a lack of historical records about Ross. In many cases, she relies on the experience of others or musings about what Ross would have done. I found myself skimming some sections, because I was more interested in Ross. A photo section includes sketches, engravings, paintings, and photos. None are of Ross when she was alive.

The Place

The Betsy Ross House, while close to all the key sites of the American Revolution in Philadelphia, sits alone on a section of Arch Street. And yet, it is still just as crowded with tourists who want to walk in the steps of the legend. Visitors enter through a small courtyard, where Ross and her third husband (Claypoole) are buried. Self-guided tours begin in the Museum shop. As you make your way throughout each room, you get a sense of life during the American Revolution. In the upholstery shop, a costumed interpreter interacts with guests as Betsy Ross. Despite being the most crowded room of the tour, I enjoyed hearing the interpreter speak and watching her sew like Ross.

It’s recommended that you purchase tickets online, ahead of your visit. They are good for any day during the year of purchase and are not time specific. Operating dates and hours vary depending on the season; the only days the House is closed are Thanksgiving, Christmas, and New Years Day. The House has three flights of stairs and is not wheelchair accessible. A visit won’t take more than a couple of hours, so it’s a great opportunity to explore other sights close by or simply wander the streets of Old City.