Tuesday, October 28, 2014

A Nation Remembers

“By the dawn of the twentieth century, Arlington had matured into something more than a Civil War cemetery; it had become a national symbol for sacrifice and honor, a rallying point for veterans, for ordinary visitors, and for solemn ceremony” (119).

The Book

On Hallowed Ground: The Story of Arlington National Cemetery by Robert M. Poole provides the reader with a history of America’s most famous cemetery. Arlington National Cemetery was born out of the Civil War and has been inexplicable linked to each of America’s wars since then. The land originally belonged to Mary Custis Lee, the wife of Robert E. Lee and great-granddaughter of Martha Washington. When Robert E. Lee chose to resign from the Union and lead the Confederate army, Arlington became a part of the Union’s defense of Washington, DC. Throughout much of its early history, the cemetery was a bridge, and was caught, between the struggle between the North and the South.

Arlington began as a 200 acre cemetery in 1864 and has grown to 624 acres. The white tombstones were put into practice in 1874 and the Tomb of the Unknown was dedicated on November 11, 1921. The United States Army Old Guard is tasked with the twenty-four hour guarding of the Tomb of the Unknown. The best part of On Hallowed Ground is Poole’s description of the Old Guard and their reverence for the Unknown Soldiers.

Overall, Poole does a good job explaining the creation of the cemetery and the people involved. However, some aspects of Arlington’s history and traditions are glossed over in deference to other events. For example, Poole spends an entire chapter on President Kennedy’s funeral, while only a couple of pages detailing the Old Guard. This decision plays into the complaints Poole details from the families who lost ordinary soldiers: more important people were often given more prominent burial plots and better funerals than the ordinary soldier.

The Place


Arlington NationalCemetery is located across the Potomac River from the Lincoln Memorial. Tours are available and they stop at the Tomb of the Unknown, President Kennedy gravesite, and Arlington House. Visitors can pick up a map at the Visitor Center to find the gravesites of famous Americans or family members.

The Tomb of the Unknown is humbling and the viewing of the changing of the guard is a unique experience. As you stand in the crowd, all you hear is the clicking of the soldier’s heels and you are struck by the sacrifice of the Unknowns and their families. Across from the Tomb of the Unknown are several memorials for the USS Maine, the Iran Hostage Rescue Team, and the Space Shuttles Challenger and Columbia. At the Arlington House, you have a sweeping view of the Potomac River and Washington, DC. Just in front of Arlington House lies Pierre Charles L’Enfant. L’Enfant was a Frenchmen who served in the Revolutionary War and designed the layout for the new capital city: Washington, DC. For his devotion to his adopted country, L’Enfant’s grave has the best view.

A visit to Arlington is not your typical tourist stop; it is a cemetery and visitors are expected to be reverent and respectful.

Tuesday, October 14, 2014

Give My Regards to Broadway

“As late as the turn of the century, the stage was truly a national construction. It was centered on Broadway, but there was much creative activity in other regions; Chicago had almost has many theatres as New York. However the expansion of theatre […] in the 1910s and 1920s made New York more than the center of activity: the source of it” (106).

The Book

Anything Goes: A History of the American Musical Theatre by Ethan Mordden follows the birth of the musical in America and the resulting innovations and genres. Mordden traces the first musical produced (The Beggar’s Opera in London) in 1728 to the birth of the American musical (The Black Crook) in 1866 to the present day blockbuster Wicked. As the musical evolved, innovations were first made in the score, then set design, and then the book itself. Once all three of these innovations were accomplished, unique characters became the norm for any musical.

While an interesting book, Anything Goes often feels like a detailed list. The plots for some musicals are described in detail and others are glossed over. Generous time is given to several key figures in American musical history, some are well-known names like Rodgers and Hammerstein and some are not as well-known like Victor Herbert. Mordden does well when he shows the way musicals changed and incorporated new and old concepts. Throughout the book, the American musical is shown maturing from shows with unrelated to songs to shows where “the script told the story and the score enhanced it in various ways” (119).

The Place

Broadway is synonymous with the American musical and the best way to experience Broadway is to attend a musical. TKTS provides day-of tickets at half the price. My friend and I bought our tickets through TKTS when we saw The Phantom of the Opera. Our seats were on the first floor towards the back and we had a great view of the stage. All shows on Broadway are offered, as long as there are empty seats for that date.

In the heart of Broadway is the restaurant Sardi’sMordden doesn’t mention Sardi’s in Anything Goes, but it is a large part of the American musical. Many casts would go to Sardi’s after opening night to wait for the first reviews. If you don’t have time to see a show or eat at Sardi’s, simply walking past the historic theatres is also a great way to experience Broadway. Each theatre has a story about past shows (hits and flops) and the actors who walked the stage.